The Clash

November 12, 1977. Hastings Pier. In the summer of ’77, I started going to the Basement Club, near to the Art College in Brighton. Saturday night was punk night and although it was dark and dingy and the walls ran with sweat, we went there for the music. The DJ, Tony, was always happy to play requests and after a few visits, I got to know him. During a party at his house, Tony came up with the idea to drive to Hastings to see the Clash in the White Riot Tour. (The band had played in Brighton on May 25th, but that night I was watching the Stranglers instead at the Suite.) Tony being a DJ, drove a van so there was room for several of us to go. I left work early on the Saturday to give myself plenty of time to get dressed up. This wasn’t just an ordinary concert, I was going off with the coolest DJ to see THE punk band of the moment! Tony and a girlfriend turned up at 6.15 and to my horror I found them sitting on the settee drinking tea with my mum and dad! In full make-up, black leather, pins and chains – the embarrassment! I quickly got them out the house and we drove around Brighton picking up an assortment of hardcore punks eager to get to Hastings. Of course, there were more people than there were seats in the van. We all squeezed in somehow, wedged between the seats and propped on the floor. With the Clash blaring out the speakers to get us warmed up, we finally arrived at 8.30.
The concert was actually on the end of the pier, which for some reason I hadn’t really realized. As we walked along the wooden slats, you could see the sea below and I was wondering if this was a good idea after all. I thought I had seen lots of punks and punk bands in Brighton, but they were tame compared to the busloads of punks that were going in to see the Clash. The band had clearly brought an entourage of punks down with them from London. These were scary. I didn’t know whether to look at the stage or the crowd.
The support band was Richard Hell and the Voidoids. An American, but well known in the English punk scene with his singles Blank Generation and Love comes in spurts. He didn’t seem to be too comfortable with the spitting and the beer emanating from the front rows, but nevertheless managed to get the crowd focused on the stage instead of each other. There was a distinct feeling of aggression and expectation. There was no way I could get to the front with this crowd, but the view from the side was just as good. My friends from Brighton of course, had all dispersed and were lost somewhere in the heaving black mosh pit at the front of the stage.
When the Clash came on with a raw rendition of London’s Burning, I really thought we would end up in the sea. The Pavilion vibrated to the pogoing and the floorboards groaned. Joe Strummer seemed to recognize faces in the crowd and the energy on and off the stage was overpowering. Mick Jones, dressed up in his SS gear stomped around, launching into the next song before the other was finished. I’m so bored with the USA, Career Opportunities, Janie Jones – the songs whipped the crowd up into a jumping frenzy that I hadn’t seen before. What a buzz - it was a relentless jostle of dancing, jumping and seething bodies. The crowd had been screaming for White Riot since the start, but they had to wait for the encore to hear it.
Hoarse, battered and streaked with smeared make-up, we met back up at the van for the drive back. That we got back in one piece, after all the drink etc. that had been consumed, was a miracle. It was unanimously agreed that this had been the best punk concert ever.

The Undertones

Brighton and London. According to my records I have seen the Undertones, three times, but it could well have been more. They were a favourite band of mine and seeing them live was always awesome. My first 'recorded' concert was a concert at the Hemel Hempstead Pavilion on October 3rd, 1979. My sister was living in Radlett, so all I needed was to catch the train from St Pancras and she would bring me back to London the next day. Being a poor student, I bought a ticket for the next stop, Kentish Town for 20p, and succeeded in dodging the ticket man at the other end. The venue was quite impressive. The Undertones were supported by The Photos, an English Blondie-style band who I had just seen play on the 29th of September (supporting John Cooper Clarke). I still didn't like them. The Undertones on the other hand, were terrific. Feargal Sharkey not only looked so different to anyone else I had ever seen, but he had 'that voice' too. He was so skinny and so scruffy and I have to say, unattractive. He was all over the stage and even jumped into the crowd at one point to break up a fight. The songs were all belted out in that Derry accent and the crowd couldn't get enough.
Jump to April, 23rd 1980, and I was going to see them again in Brighton. The Top Rank was sold out and packed to the rafters. When the band came on at 9.30, the place erupted. We were jumping and dancing about like madmen. Teenage Kicks, My perfect cousin, Jimmy Jimmy - we were melting in there. My favourite song that always turned me into a crazed pogoing idiot, You've got my number (why don't you use it?), was left to the end. They played until 11pm and then played 2 encores. Not bad for 2 pounds 50.
1981 and the release of another album, Positive Touch meant another year of touring. I caught them this time at the Rainbow Theatre in London on May 21st. Although I wasn't completely sold on this album, I wouldn't miss the opportunity to see the band play live. Their now legendary live shows ensured that the Rainbow was full, and despite the mix of new, slower songs with the fast punky numbers, the band effortlessly went down a storm. Feargal, just as fashionless and thin as ever, could stun the crowd to silence with his quivering voice and then whip them to a frenzy with the next song. I lost count of the number of encores. They were truly magnificent. We left for home, soaking wet, emotionally drained and with no voice left.